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They are 4-100 watt model/flash tubes. I suggest you use them at quarter power. They pop pretty good. The closer the subject the better the ring in the eye. Pull away a bit and you get awesome flat lighting. I am a Larson rep & have had the chance to play a bit. Love the look & feel it adds to images. The stand is very heavy duty.
I think I was the first one to order one of these. I know mine was one of the first two shipped (shipped out same day as Gary's, who designed it). I definitely love it and is a definite seller! :t:
Can anyone who has worked with one before give me some insight?
Steve had it right, stay close to your subject.
Another thing I'd like to let you know is that if you use a white background you really need to use some lights to brighten it up or it looks grey. I found this out the hard way.
Yep, the only problem I have is that since my camera room is only 17 by 26, I have to move it out of the room when I'm not using it. Gary was able to put it together himself, but I needed help to lift it and put it on the stand (I didn't want to break it).
I designed the light for Larson and it rocks. Smaller ringlights are cool. But like a small spotlight, they can really make features very prominent. So if you have a perfect face, the small one works well (other than that red-eye prone issue). But if you put an average looking person under a small one, it's not so hot. So I wanted a similar effect, but SOFTER. And in lighitng, softer means bigger. So it is basically a 36 inch softbox that you shoot through.
The light works incredibly well. But I will pass on some tips.
Shoot further back and you will see the "ring" in the eye.
Shoot closer (like their face 18 inches from the front) and it just fills the eyse with light beautifully.
Shooting closer, the light will also fall off very fast, there will be 1.5 stop difference between face and back shoulder if they are posed sideways.
Working this close to the subject is too close to focus with a 70-200. So I often use an 85 1.2 or a 28-135 lens.
At 1/4 power on the strobes, in this close you will shoot at f16-18 with ISO 100.
I actually "shortened the inner tube of mine, I occasionally kept getting it in the corners of my shots. Let me know if you want more details on this.
The stand is very solid. To be low, it took a heavier duty stand.
Do a search of my name with ringlight or ring light to see some examples.
Steve, Nathan, Michael and Gary,
Thanks so much for your tips! I wil order one of these this week, and I really lok forward to seeing what I can come up with. I will make sure to post some results for you guys to tell me what I am doing wrong. Thanks again!!!
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