I think some of the confusion comes from the different backgrounds. Printers are used to thinking about halftones, where the presses have always had to lay down different dots, while photographers have--until recently--dealt almost exclusively with putatively* continuous tone media, and the one=many oddity is a new thing.
Glad I was able to help clarify things.
* I say putatively because at the lowest level film grain and dye clouds are largely non-continuous--but by the time the image is blow up that much, there's so many other issues it never really comes up.
Glad I was able to help clarify things.
* I say putatively because at the lowest level film grain and dye clouds are largely non-continuous--but by the time the image is blow up that much, there's so many other issues it never really comes up.
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